Extremely Loud And Incredibly Close Analysis

Extremely Loud And Incredibly Close Analysis piece writing about Oscar, Foer drew upon the emotions Oskar views after his drives death. He writes about an anger, fear, confusion, love, grief, hope, and uncertainty with unflinching clarity. In my opinion, Foer realizes that although the details of intense experiences vary between people, the emotions slowly them are universal. The crossroads between hope and grief are at their most poignant long after Oskar has started looking for the lock to the advert he disc all overed in his fathers closet. In Oskars vocabulary, the words extremely and implausibly occupy a great deal of space. For instance, Oskar turns the dials on Abe Blacks hearing care extremely slowly (Foer 165). The birds fly by the window extremely unfluctuating and incredibly close (Foer 165). Oskar has an extremely important rehearsal for Hamlet (Foer 168). He tells his mother he is extremely brave (Foer 169). He writes EXTREMELY down warmheartednessed and then IN CREDIBLY ALONE to describe his feelings (Foer 171). All of this describes a boy who is living in a heightened state of anxiety. Events do non equitable happen in Oskars world. They take on an exaggerated sense of splendor or nearness or loudness he is overreacting in the face of a terrible tr successiondy that is also a very individual(prenominal) one. He worries that his mother will non be there in the morning. Try as she might to convince him otherwise, he knows from experience that the possibility of her not returning from work one day is real. So everything in his life is critical because it may be the last time and thence Oskar transfers this to his feelings of grief, not recognizing that others, especially his mother, might have similar feelings and be of both(prenominal) comfort to him. That is wherefore he feels incredibly alone or, to use his metaphor, has forbidding boots. In the same section as above, his mother mentions that she cries too. Oskar asks her why s he rarely lets him see her cry, a question that really means he inescapably to know that she hurts as much as he does (Foer 171).Oskar is refusing to let go of his dad because of his emotional attachment to his father. I opened the set. I was affect again, although again I shouldnt have been. I was strike that papa wasnt there. In my brain I knew he wouldnt be, obviously, But I guess my heart believed something else. Or maybe I was surprised by how incredibly blank it was. (Foer 320) Even with his intelligence level Oskar is not able to get over the emotions running his head because of this tragedy. He cant let go of father and when he goes to dig up his grave with the renter he is hoping that someway his dad will magically appear in front of his eye or yet thats what his heart believes.Digging up his fathers empty coffin constructs the climax of the story as it centers around Oskars sadness and reaction to the acquittance of a loved one. The empty coffin shows how symbolic ally he cannot convey his father not being in the coffin. When Oscar digs the grave he is surprised at how the coffin is damaged already and knows that his father would not like his coffin to be in this condition. One thing that surprised me was that the coffin was wet. I guess I wasnt excepting that, because how could so much water system get underground? (Foer 320) Another thing that surprised me was that the coffin was zany in a few places, probably from the weight of all that dirt. If Dad had been in there, ants and worms could have gotten in through the cracks and eaten him, or at to the lowest degree microscopic bacteria would have. I knew it shouldnt matter, because one youre dead, you dont feel anything. So why it feels like it mattered? (Foer 320) Another thing that surprised me was how the coffin wasnt even locked or even nailed shut. The lid clean rested on top of it, so that anyone who wanted to could open it up. That didnt seem right. Oskar is starting to accept the fact that his dads proboscis could have been in the coffin, and comes to realize that he isnt because of how they coffin is treated already.The sensible and emotional journey Oskar goes on in order to connect in one case more with his father demonstrates how intertwined hope and grief are regardless of the age at which one experiences loss. Oskar states I turned on the radio and set in motion a station playing Hey Jude. It was true, I didnt want to make it bad. I wanted to take a sad song and make it better. Its just that I didnt know how (Foer 207). This is an incredibly heartfelt moment Oskar wants to feel well(p) again, but he does not know how to do so. He does not know how to be happy but remember his father he does not know how to forgive his mother for trying to move on he does not know how to live anymore. Everything he had known up until September 11th is foreign to him. Such feelings are not further poignant, but empathetic. Foer tries to portray that Oskars and ever yone experiences are unique to their life, but that their emotions are universally inescapable. Everyone goes through a trying time in life, regardless of age, nationality, wealth, or title.